Raymond Wiger works with wire mesh as a sculpting material. All work is done by hand. Wiger first started working in wire mesh as a sculpting material in the late 1980s. Beginning with screen left over from repairing a window in a cabin in a national park, after six months discovered a more workable material with the same properties while sitting in front of a fireplace screen in Seattle, Washington. He uses no models or photographs from which to work, but relies for reference on a background of anatomical studies at the anthropology and art departments of the Smithsonian. Since the 1980s, Wiger has exhibited his work in galleries throughout the Americas and Europe, and his sculptures can be found in private collections around the world.
Bust of Pallas
Metal steel mesh on stone base, 24" x 15" x 10"
